The RAW Deal

So . . . in the comments section of one of my recent posts, there was a short discussion about shooting RAW versus JPG images.  I gave a brief description (probably confusing), and linked some articles (they will be at the bottom of this post), but I was not happy with leaving it at that.

I mentioned before that I am not that great a photographer . . . and I now aim to prove it.  The following are a series of shots from the past year.  The first shot is as the camera captured it and saved it.  In my case, it’s saved as an NEF file, Nikon’s proprietary RAW format.  All I do is output the JPG from it, without doing any modifications. 

For example, this shot from February, of my Christmas Cactus in bloom.

25FEBB2012_1__DSC9274

Nice, isn’t it?  The texture, the details . . . it’s all there.  You just need to tweak the setting, and re-render the file.

25FEBB2012_1__DSC9274-2

Same photo, different settings.  Of course, you don’t have to use the RAW like a sledgehammer if you shoot close to the proper exposure; you can also use it to get various effects. 

As shot.
As shot.

Natural sunlight filtered through a white screen, and then reflected off a gold reflector.  But, I liked a different look.

Playing around.
Playing around.

These are not filters . . . these are sliders moved around in Lightroom. 

Can’t you do that with JPGs?” you ask. 

Why, yes Bob; you can.  But not to the degree that you can with RAW.

A JPG of the first picture in the post would not have had enough information to generate the second one, and still look as good.   I mean . . . it does look good, right?

And sometimes, the adjustments are subtle, but important.

As shot.
As shot.
Adjusted to bring out detail in the shadow.
Adjusted to bring out detail in the shadow.

OK, so it’s not a great photo, but I’m just using it as an example.  You see, all that information in the shadow . . . it’s there in the RAW file.  And you can just lighten certain ranges, shadows, and black areas.  You can’t really do that with a JPG file . . . the information is not there.  You can play with it, but you won’t get those results.

The following three photos are all from the same single photograph.

As shot (too dark)
As I decided to use it in my racquetball post.
As it was shot (too dark - I did not have the flash on).
As it was shot (too dark – I did not have the flash on).
What I could have done with it.
What I could have done with it.

Keep in mind . . . all from the same RAW file.  You get the idea, but I like making my points forcefully . . . so, just a series of pictures showing the original “as shot” version, and the adjusted version.

Ute Pass, early morning
Ute Pass, early morning
Ute Pass - adjusted.
Ute Pass – adjusted.
Ketchikan - early morning, as shot.
Ketchikan – early morning, as shot.
Adjusted to show what was here.  By the way, more than what I could see with my eyes.
Adjusted to show what was here. By the way, more than what I could see with my eyes.
You know what . . . I did not like the color cast . . . let me play with the White Balance. . . ah, much better.
You know what . . . I did not like the color cast . . . let me play with the White Balance
. . . ah, much better.
People might remember this shot from the Alaska post . . .
People might remember this shot from the Alaska post . . .
Here is the original.
Here is the original.
Arriving in Seattle at the end of the cruise.
Arriving in Seattle at the end of the cruise.
A tad better?
A tad better?
Maybe more light?
Maybe more light?
How about B&W?
How about B&W?

Here are a few from the airplane museum in Washington . . . remember these when I do a post about it.

As shot (cloudy, and poorly lit)
As shot (cloudy, and poorly lit)
RAW . . . you gots to love it.
RAW . . . you gots to love it.
In the museum, trying to work out what exposure to shoot at.
In the museum, trying to work out what exposure to shoot at.
. . . or I can just fix it afterwards.
. . . or I can just fix it afterwards.
Add a crop for a better composition (I will post about that as well, eventually)
Add a crop for a better composition (I will post about that as well, eventually)
I hate shooting indoor with bright windows in the background.
I hate shooting indoor with bright windows in the background.
Eh . . . not so bad, after all.
Eh . . . not so bad, after all.

20121119_1_DSC3548

20121119_1_DSC3548-2

Of course, just so people don’t think I am totally incapable, most of the time the tweaks are minimal.

The photo as shot . . .
The photo as shot . . .
. . . and lightly tweaked.
. . . and lightly tweaked.

Many of these dark shots are me encountering something, and taking a test photo to see how it will come out, and to find out what I should shoot at.

20121119_1_DSC3585-2

. . . but it's not like the shot is not usable.
. . . but it’s not like the shot is not usable.

20121119_1_DSC3603

20121119_1_DSC3603-2

20121119_1_DSC3719

20121119_1_DSC3719-2

Sometimes it’s fun to just play . . .

As shot . . .
As shot . . .

20121119_1_DSC3790-2

20121119_1_DSC3790-3

20121119_1_DSC3790-4

As shot . . .
As shot . . .
. . . and adjusted to show "more".
. . . and adjusted to show “more”.
As a general rule, if I am going to make a mistake, I rather under-expose than over-expose a shot.
As a general rule, if I am going to make a mistake, I rather under-expose than over-expose a shot.
It's easier to recover detail from dark areas than to recover detail from areas that are blown out.
It’s easier to recover detail from dark areas than to recover detail from areas that are blown out.

And there you have it . . . the possibilities available when shooting RAW.

Of course, it’s not a fix-all.  Recovering from extreme shots means grainier photos, more tweaking, adjustments, and effort to come up with something decent. 

I prefer shooting at or near the correct exposure because the photo will be much better, especially when looked at in its native resolution.  But, if you just came back from a trip, and that one shot you thought you got was “messed up” . . . well, all is not lost. 

Especially if you make it seem as if that was your intention to begin with.

As promised here are some links regarding shooting RAW versus JPGs.

Additional reading:

http://www.dpreview.com/articles/4333175133/buyers-guide-enthusiast-raw-shooting-compact-cameras

This next one is actually about why shooting RAW is better (despite the title):
http://www.herviewphotography.com/2012/06/18/raw-vs-jpg-file-formats.html

Another good article:
http://digital-photography-school.com/raw-vs-jpeg

Thanks for stopping by, and hope you were entertained.

Bees Box with Ant Farm
Bees Box with Ant Farm

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